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Roger Ackling
Things of August
25 April - 24 May 2002
Roger Ackling creates his intimate and beautiful wooden
sculptures with the meticulous use of a magnifying glass. By projecting
sunlight through the glass he burns lines of tiny dots onto the woodÕs
surface to form geometric patterns. The wood that he uses is found on
coastal walks - not only drift wood, but remnants of previous objects
now obsolete, unidentifiable or broken - weathered by time and the elements
and often including rusted nails, holes, stains or daubs of earlier paintwork.
Ackling's work poses questions about the relationship between nature and
humanity and yet, up until now, they have been formed without the direct
contact of the artist's hand - their production is remote but their alteration
by the artist gives them a specific and serene individuality.
This exhibition of Roger Ackling's sculpture displays an exciting new
progression in his work. The show, comprising over 30 works, includes
a selection of 14 new pieces. All made in 2002 these new sculptures incorporate
the use of rubber bands stretched taught across the burnt patterning or
hanging limply over it - held in place by mapping or drawing pins. The
development expands Ackling's interest in manufactured products in contrast
to nature: the rubber bands seem vulnerable and their presence calls into
question our misconceptions about the durability of man-made objects.
Aesthetically they reinforce Ackling's interest in geometry and symmetry
- reflecting and complimenting the sun-burnt patterns or the contours
of the wood beneath them. These new works display a dynamic tension between
their modern and time-worn qualities and are testimony to Ackling's enduring
artistic sensitivity.
Roger Ackling has been exhibiting since 1967 and has had many one-person
exhibitions in London, Europe, Asia and America. He has exhibited with
Annely Juda Fine Art since 1987 and is represented in important public
collections worldwide including The British Museum, The Victoria and Albert
Museum, The Tate Gallery and The Stedelijk Museum, Amsterdam.
A
24 page colour illustrated catalogue is available from Annely Juda Fine
Art
click here
to see earlier works or
here to read Roger Ackling's biography
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