Artist profile

David Nash

Two Mountains (2011 n)

Redwood
2 parts: 1) 292 x 101 x 6 cm 2) 112 x 154 x 6 cm (ref:DN2306)

Black Frame (2015)

Redwood, charred
69 x 74 x 31 cm (ref:DN2842)

Tumble Block n (2014)

Charred oak
127 x 136 x 180 (ref:DN2655)

Two Sliced Cedars II (2014)

Charcoal on paper in charred ash frame
72.5 x 91 x 6 cm framed (ref:DN2779)

Segments Column nn (2016)

Beech, charred
111 x 85 x 53 cm (ref:DN2794 a)

Black Well nn (2007)

Charred Greenheart, Guyana
9 parts, overall size: 92 x 106 x 118 cmn (ref:DN2216)

Wedge Stack: Crack and Warp n (2014 )

Beech
121 x 40 x 41 cm (ref:DN2677)

Three Reds - Three Directions (2014 )

Pastel on paper in charred frames
3 parts, each part: 116.5 x 55 x 6 cm (ref:DN2670)

Three Blues n (2014)

Pastel on paper in charred frames
3 parts, each part: 117 x 55 x 6 cm (ref:DN2669)

Rain at Night (2012)

Sycamore
231 x 65 x 46 cmn (ref:DN2372)

Cut Corners: Red and Black n (2015 )

Yew, part charred
42 x 32 x 31 cm (ref:DN2699)

Branded Column (2012)

Silver Birch, part charredn
83 x 26 x 21 cmn (ref:DN2550)

Armour Column n (2012 )

Oak
109 x 50 x 45 cm (ref:DN2536)

Deep Cut, Deep Red Column II n (2014)

Pastel on paper
153 x 113.5 cm (ref:DN2754)

Mosaic Egg nn (2004)

Oak, partially charred
46 x 90 x 47 cm (ref:DN1658)

Black Egg and Stump n ( 2004 )

Charred Sycamore
123 x 55 x 45 cm (ref:DN1659)

Cork Oaks (2012)

Pastel on paper, 3 parts
33 x 46 cm eachn (ref:DN2469)

Four Cork Oaks (2011)

Pastel on paper, 4 partsn
41 x 59 cm eachn (ref:DN2459)

Segments Column (2016)

Beech, charred
111 x 85 x 53 cm (ref:DN2794 a-2)

David Nash works primarily with wood that has fallen naturally or has been felled due to age, disease or safety. He also makes planted works; living, growing sculptures; long term projects that span decades; trees, brambles, copses are sculpted and manipultaed over tens of years to form domes, grids of saplings and walls of living matter.

Out of the felled trees emerge eggs, columns and pyramids. Domes are formed from elements of the tree, Cork Oak bark is stacked to make towering spires and squat 9m circles. Oak branches are burnt and stuck into the ground end on to form low convex structures. He burns and chars the wood to form deep black, velvety surfaces. Burnt edges highlight geometric shapes cut into columns, hexagonal shapes are carved into oak eggs.

Biography

1945
Born in Esher, Surrey, UK
1963–65
Studied Kingston College of Art
1967
Moved to Blaenau Ffestiniog, North Wales, where he lives and works
1969–70
Postgraduate Study, Chelsea School of Art
1999
Elected Royal Academician Appointed Research Fellow, University of Northumbria, Newcastle Awarded Honorary Doctorate in Art & Design, Kingston University
2004
Awarded OBE for services to the arts

Selected exhibitions

2018
'Wood, Metal, Pigment', Annely Juda Fine Art, London
2018
'Nature to Nature', Fondation Fernet-Branca, St Louis, France
2017
'Tree Seasons', Plas Glyn-y-Weddw, Gwynedd, North Wales
2016
'Columns, Peaks and Torsos', Galerie Lelong, Paris
2015–16
'Three Black Humps', 2015, Oak, charred, in three parts, at Coalbrookdale Museum of Iron
2015–16
'King & Queen I', 2011, Bronze, Keepers House The Royal Academy
2014–15
'David Nash Stencil Prints', Abbot's Room, Kloster Schoenthal, Switzwerland
2014
'David Nash', Kukje Gallery, Seoul
2014
'David Nash Prints and Multiples', Galerie Lelong, Paris
2013
Installations by David Nash, Historic Grounds, Domaine de Chaumont-sur-Loire
2012–13
'David Nash – A Natural Gallery', Kew Gardens, Kew Royal Botanic Gardens, Surrey
2012
'Lines and Smudges', Annely Juda Fine Art, London
2010–11
David Nash at Yorkshire Sculpture Park, Yorkshire Sculpture Park, Wakefield
2010
'David Nash – Recent Sculptures and Colour Works', Annely Juda Fine Art, London
2009
'David Nash – Monumental Sculpture', Kunsthalle Mannheim

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