kenneth martin,chance, order, change 4, 1978 british constructivist painter & sculptor @ annely juda fine art click on the image for more information, kenneth martin, british constructivist painter & sculptor @ annely juda fine art

kenneth martin, chance, order, change 13, 1980, british constructivist painter & sculptor @ annely juda fine art click on the image for more information,kenneth martin, chance, order, change 13, 1980, british constructivist painter & sculptor @ annely juda fine art

kenneth martin, british constructivist painter & sculptor @ annely juda fine art click on the image for more information, kenneth martin, chance, order, change 18, 1981, british constructivist painter & sculptor @ annely juda fine art

kenneth martin

kenneth martin @ annely juda fine art


kenneth martin

kenneth martin

kenneth martin

mary martin, climbing form, 1954. annely juda fine art click on the image for more information, mary martin @ annely juda fine art


Kenneth Martin

1905 - 1984


Kenneth Martin is widely regarded as one of the fathers of British Constructivist Art. Having been trained in the realist tradition of Sickert, he came to abstraction in the late 1940s after working as a designer and painting naturalistic pictures for two decades. Before his death in 1984, Kenneth Martin not only sought to redefine abstract art but to align thought, feeling and imagination with the method of creating a work of art.

As his art evolved he discovered new means of inventing and manipulating basic structural elements. With his Screw Mobile sculptures of the early Fifties he investigated the dynamics of movement exploiting the tension or contrast between stillness and the changes caused by the functions of twist and rotation.

Towards the end of his life Kenneth Martin embarked on a series of paintings and works on paper which he called the Chance and Order Series. In the simplest versions, a grid was set up on paper and its points of intersection numbered. Corresponding numbers were drawn 'out of a hat' ie. by chance. Each pair of numbers then became a line on the grid. Although the underlying structure remained the same the resulting correspondences produced a seemingly endless succession of combinations. With these works there was therefore a double invitation to explore the paintings and drawings as statements about an inventive process, and to contemplate the products that were generated by that process. The combination of randomness and definite rules left the artist free to invent in an exact sense. You can only develop order but not chance, you can only use the chance again.


for a more detailed biography of Kenneth Martin please click here


please click here to see an example of Mary Martin's work

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