Artist profile

Prunella Clough

Equinox (1947)

Oil on canvas
40.5 x 25.5 cm (ref:PC0527)

Man With Printing Press (1953)

Oil on canvas
56 x 76 cm (ref:PC0225)

Factory Interior (Wool Carding Shop) (1954)

Oil on canvas
90 x 51 cm (ref:PC0229)

Accessories (1996)

Oil on canvas
167.5 x 182.5 cm (ref:PC0213)

Mesh with Glove I (1980)

Oil on canvas
91 x 71 cm (ref:PC0045)

Study (c.1966)

Oil on canvas
56 x 38.5 cm (ref:PC0549)

Natural History (1988)

Oil on canvas
113 x 94 cm (ref:PC1769)

Art Nouveau (c.1990s)

Oil on canvas
82 x 45 cm (ref:PC0394)

Garden (1998)

Oil on canvas
64 x 76.5 cm (ref:PC0388)

Waterweed 6 (1988)

Oil and string on board
32 x 38 cm (ref:PC0502)

Unforeseen Event (1993)

Collage on paper
11.7 x 20.5 cm (ref:PC0312)

Skull Bone: Study (1947)

Gouache and watercolour on paper
23 x 31.2 cm (ref:PC0642)

Rain/Tree/Window 2 (1978)

Mixed media relief on paper
36 x 26.5 cm (ref:PC0946)

Still Life (c.1960s)

Metal and plastic on painted board
33.5 x 33 x 5.5 cm (ref:PC0691)

Untitled (c.1960)

Metal, painted wood and board
22.5 x 23 x 2.5 cm (ref:PC0696)

Untitled (1965)

Wood and metal on board
26.8 x 25 x 1.5 cm (ref:PC0680)

Gresham Compact

Print, edition A/P
33.2 x 35.6 cm (ref:PC1298)

Untitled

Print, Edition of 45
50 x 43.5 cm (ref:PC1684)

Prunella Clough is widely appreciated as one of the most significant British artists of the post-war period. Clough’s work is distinctive and private and yet always responsive to what was going on around her – artistically and visually.

Her work consists of paintings, collages, drawings and reliefs and they demonstrate the characteristic development of her work through her various influences – notably cubism and European abstraction. Her abstract works often use bright, contrasting colours and sometimes found objects. They reveal her continual and personal preoccupation with formal qualities – composition, colour and texture - and her delight in the edginess and abstraction of everyday objects and experiences.

Prunella Clough was born in London in 1919 – she studied at Chelsea School of Art and during the war worked as a draughtsman of maps and charts. She was a highly influential artist and teacher to the post-war generation. In 1999, three months before her death, she won the prestigious Jerwood painting prize. In 2007 she had a major exhibition at the Tate Gallery, London.

Biography

1919
Born in Chelsea, London. Her father worked for the Board of Trade and her aunt was the architect designer Eileen Gray
1937
Attended Chelsea School of Art (part-time). Studied design, life drawing and sculpture (where Henry Moore was a tutor)
1939–45
Worked in Office of War Information (USA) drawing charts and maps and working on magazine layouts
1946–49
Studied with Victor Pasmore at Camberwell School of Art (part-time)
1956–69
Taught part-time at Chelsea School of Art
1966–97
Taught part-time at Wimbledon School of Art
1999
Awarded Jerwood Painting Prize
1999
Died 26 December in London

Selected exhibitions

2017
Annely Juda Fine Art, London
2016
Jerwood Gallery, Hastings
2015
Osborne Samuel, London
2012
Annely Juda Fine Art, London
2009
Annely Juda Fine Art, London
2007–08
Tate Britain, London: touring to Norwich Castle Museum & Art Gallery, Norwich; Abbot Hall Art Gallery, Kendal
1999–2001
University of Essex, Colchester. Arts Council exhibition touring to Peter Muni Arts Centre, Pontypridd; Glynn Vivien Art Gallery, Swansea; Peter Scott Gallery, Lancaster; Ropewalk Contemporary Art and Craft Centre, Barton upon Humber; Plymouth City Museum
1996
Camden Arts Centre, London: touring to Oriel 31, Newtown, Powys
1982
Fitzwilliam Museum, Cambridge
1976
Scottish National Gallery of Modern Art, Edinburgh: touring to Serpentine Gallery, London

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