Artworks

Lucia Nogueira

Filter, 1990

Plastic filtration material, polished drink can, petrol

Dimensions variable

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Lucia Nogueira

Hiato, 1990

Glass, rubber tubing, petrol

31 x 34 x 25.5 cm 12.2 x 13.4 x 10 in

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Tadashi Kawamata

Installation at Annely Juda Fine Art, Tottenham Mews, 1990

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Kazuo Shiraga

Koheki, 1990

Oil on canvas

91.5 x 91.5 cm

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Lucia Nogueira

Pause, 1990

aluminium, steel, wire, wax earplug, petrol

28 x 20 x 10 cm 11 x 7.9 x 3.9 in

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Prunella Clough

Thinking of Animals, 1990

scouring pad and paint on board

20.5 x 31.5 x 1 cm 8.1 x 12.4 x .4 in

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Werner Haypeter

Untitled No. 2, 1990

heavy duty natural and black P.V.C.

225 x 203 cm 88.6 x 79.9 in

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Gloria Friedmann

Vertical Strata, 1990

earth, glass, iron

135 x 2.5 cm 53.1 x 1 in

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Sheila Girling

Wayside Café, 1990

acrylic and collage on canvas

155 x 113 cm 61 x 44.5 in

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Katsuhiro Yamaguchi

Light sculpture ‘Vitrine’, 1990s

acrylic, wood and light

28 x 33.3 x 13.5 cm 11 x 13.1 x 5.3 in

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Prunella Clough

Untitled, 1990s

paint on board

20.6 x 31.6 cm 8.1 x 12.4 in

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Alan Charlton

Broad Cross, 1991

acrylic on canvas

67.5 x 67.5 cm

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Katsura Funakoshi

Number of Words Arrived, 1991

painted camphor wood and marble

82 x 57 x 29 cm 32.3 x 22.4 x 11.4 in

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Catherine Lee

Outcasts Water Iron, 1991

cast iron, oxidised

21 pieces, overall; 122 x 914 x 7.6 cm

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Katsura Funakoshi

The Distance from here, 1991

painted camphor wood and marble

82 x 57 x 23 cm
32.3 x 22.4 x 9.1 in

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Katsura Funakoshi

The Pendulum above the Water, 1991

painted camphor wood and marble

84 x 48 x 48 cm 33.1 x 18.9 x 18.9 in

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Roger Ackling

Weybourne, 1991

sunlight on wood

23 x 6.2 x 6 cm 9.1 x 2.4 x 2.4 in

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Suzanne Treister

Fictional Videogame Stills/Voyage Of Discovery, 1991-92/2020

photographic work from the original 1991-92 photos taken of the screen of the Amiga computer on which they were made. Archival giclée prints on Epson Premium Semigloss Photo Paper 260gsm

40 x 50 cm

edition of 15

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Catherine Lee

Marathon, 1992

cast bronze with patina

51 x 30.5 x 4 cm

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Lucia Nogueira

Store, 1992

Wood, metal, gesso, jute

19 x 78 x 38 cm 7.5 x 30.7 x 15 in

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Alan Charlton

Vertical and Horizontal Canvases in 16 Parts, 1992

acrylic on canvas

each; 193.5 x 45 cm
overall; 193.5 x 787.5 cm

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Lucia Nogueira

Monosyllable, 1993

Hair, wood

56 x 80 x 23 cm 22 x 31.5 x 9.1 in

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Alan Reynolds

Structures-Group III (24) 2/3 scale, 1993

prepared card on wood base

92.5 x 62.5 x 0.7 cm 36.4 x 24.6 x .3 in

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Alan Green

Two Angles Three Rectangles To Top, 1993

oil on canvas

155 x 160 cm 61 x 63 in

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Lucia Nogueira

Without This, Without That, 1993

Wooden cabinet, gesso, rubber plug, metal chain

69 x 40 x 45 cm 27.2 x 15.7 x 17.7 in

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Suzanne Treister

SOFTWARE/Q. Would you recognise a Virtual Paradise?/Entrance to the Study of the Virtual Castle, 1993-94

oil on cardboard boxes and floppy disk

22.5 x 16 x 4 cm each
8 7/8 x 6 1/4 x 1 5/8 in each

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Yoshishige Saito

Bronze E, 1994

bronze

48 x 36.5 x 3.8 cm

edition of 4

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Yoshishige Saito

Bronze I, 1994

bronze

48 x 38 x 4.3 cm

edition of 4

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Michael Michaeledes

Ripple, 1994

cotton duck on stretcher

66 x 43.5 x 3 cm

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Michael Michaeledes

Small White Relief (ii) , 1994

Cotton duck on stretcher

17.5 x 17.5 x 5 cm

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Prunella Clough

Trinket 2, 1994

oil on canvas

86.5 x 116.5 cm 34.1 x 45.9 in

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Yoshishige Saito

Untitled, 1994

lacquer on wood

80 x 50 x 4.5 cm

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Michael Michaeledes

Verticle Ripple, 1994

cotton duck on stretcher

45.5 x 60.5 x 2.5 cm

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Alan Charlton

Border Painting, 1995

acrylic on canvas, 5 parts

225 x 306 cm

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Nigel Hall

Soglio II, 1995

polished wood

151.5 x 151.5 x 84 cm 59.6 x 59.6 x 33.1 in

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Graham Williams

Wings Two, 1995

welded silicon bronze, patinated and waxed

66.5 x 37 x 37 cm

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Gloria Friedmann

Pariah (tomatoes), 1996

tomatoes, sugar, glass and iron

diameter 130 cm diameter 51.2 in

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Nigel Hall

Soglio VI, 1996

corten steel

152 x 152 x 84 cm 59.8 x 59.8 x 33.1 in

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Lun Tuchnowski

Untitled, 1996

zinc

45 x 9 x 23 cm

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Graham Williams

Windblown, 1996

silicon bronze

99 x 42 x 14 cm

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Graham Williams

Tall, 1996-2001

welded stainless steel, silicone bronze, patinated and waxed

h 119 cm

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Thomas Joshua Cooper

Spring afternoon, The River Lot- moving upstream towards the source Gorge du Lot, Valle du Lot, Occitaine Region, France , 1996/2022

chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4

50.8 x 61 cm
76.8 x 97.1 cm framed

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Gloria Friedmann

Pariah (sauerampfer), 1997

sauerampfer, sugar, glass and iron

135 x 100 x 4 cm 53.1 x 39.4 x 1.6 in

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Leon Kossoff

From Rubens: ‘The Judgement of Paris’, 1998

charcoal on paper

56 x 76 cm 22 x 29.9 in

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Gloria Friedmann

Pariah (lemons), 1998

iron, glass, lemons, sugar

diameter: 117 cm diameter 46.1 in

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Gloria Friedmann

Pariah (milk), 1998

iron, glass, Nestle milk, sugar

80.5 x 80.5 x 4 cm 31.7 x 31.7 x 1.6 in

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Yoshishige Saito

The Oblique 3 (Red), 1998

lacquer on wood

80 x 63 x 10 cm

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Yoshishige Saito

The Oblique 4 (White), 1998

lacquer on wood

50.5 x 42.2 x 10 cm

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Prunella Clough

(Pink Ribbon), 1999

mixed media (silver foil and ribbon)

62 x 54 x 3 cm 24.4 x 21.3 x 1.2 in

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Michael Michaeledes

Corner Piece, 1999

cotton duck on five stretchers

181 x 180 x 8 cm

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Graham Williams

Pasture Piece, 1999

corten steel

H 318 cm

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Graham Williams

Poised (251), 1999

stainless steel

height 121.3 cm

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Graham Williams

Three Syrinx, 1999

stainless steel

each part: H 76.5, H92.3 , H 108.3 cm

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Thomas Joshua Cooper

bright Summer sea-haze, The Celtic Sea and the English Channel, Bumble Rock, The Lizard, Cornwall, England. The southmost point of Cornwall and the South most point of mainland Britain , 1999/2021

chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4

76.2 x 101.6 cm
109.5 x 139.6 cm framed

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Alan Charlton

5 Part Painting in 2 Greys, 2000

acrylic on cotton duck canvas

each part; 175.5 x 31.5 cm
overall; 175.7 x 175.5 cm

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Anthony Caro

Castanets (Concerto Series), 2000

bronze, cast and welded

62 x 46 x 52 cm

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Peter Kalkhof

Colour Concentric Circles, 2000

acrylic on canvas

100 x 95 cm

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Roger Ackling

Crest, France, 2000

sunlight on wood

14.7 x 22.8 x 4 cm 5.8 x 9 x 1.6 in

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Graham Williams

Striding, 2000

stainless steel on a terracotta tile

H 118.2 cm

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Thomas Joshua Cooper

cold summer evening, collapsing icewall, The Rhone Glacier in retreat, Belvedere, Canton Valais, Switzerland, 2000/2022

chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4

50.8 x 61 cm
76.8 x 97.1 cm framed

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Thomas Joshua Cooper

Summer afternoon, The Falls of the River Rhine, The River Rhine, Neuhausen, Canton Schaffhausen, Switzerland , 2000/2022

chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4

50.8 x 61 cm
76.8 x 97.1 cm framed

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Yoshishige Saito

Danpen, 2001

lacquer on wood

118 x 91.5 x 6 cm

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Nigel Hall

Elliptical Light, 2001

polished wood

36.5 x 61 x 27 cm 14.4 x 24 x 10.6 in

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Alan Green

Format, 2001

oil on linen

110 x 70 cm 43.3 x 27.6 in

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Alan Charlton

Painting in 2 Greys, 2001

acrylic on canvas

5 parts, each: 155 x 27 cm
overall: 155 x 153 cm

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Yuko Shiraishi

Band (2), 2002

oil on canvas

66 x 108 inches / 168 x 274 cm 26 x 42.5 cm 66.1 x 107.9

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Stefan Gec

Fragment (Model of submarine), 2002

resin and aluminium in perspex display case

37 x 180 x 36 94 x 457.2 x 91.4 cm

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Gloria Friedmann

Karaoke - arantiga erythrogenis / Ecuador, 2002

glass, acrylic and preserved bird

90 x 68 x 30 cm 35.4 x 26.8 x 11.8 in

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Alan Green

Venetian to Veridian, 2002

oil on linen

95 x 120 cm 37.4 x 47.2 in

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Roger Ackling

Voewood, 2002

sunlight on wood, 2 parts

30 x 6 x 0.7 cm 11.8 x 2.4 x .3 in

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Taku Aramasa

HORIZON - Visible Transfiguration, 2002 (printed 2012)

OROgraphy (digital-positives) Pictorico TPW100 Film mounted on aluminium

99.7 x 128.8 cm

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Peter Kalkhof

Blue - Red Triangle, 2003

acrylic on cotton duck canvas

2 parts: 50.5 x 50.5 cm each
overall size 50.5 x 101 cm

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Philipp Goldbach

Cologne University's Department of Philosophy (Diptych I), 2003

C-Print mounted between Diasec and aluminium, edition 2 of 3

180 x 245 cm 70.9 x 96.5 in

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Graham Williams

Flurry Two, 2003

stainless steel and corten steel

91 x 46 x 53 cm

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Graham Williams

Pierced Wings (308), 2003

stainless steel and patinated bronze

100.4 cm height

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Taku Aramasa

HORIZON - The Border, 2003 (Printed 2011)

inkjet print on paper mounted on aluminium, 2 parts

54 x 83.8 cm (each 54 x 41.9 cm)

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Taku Aramasa

HORIZON - The Border, 2003 (Printed 2011)

inkjet print on paper mounted on aluminium, 2 parts

54.4 x 83.6 cm (each 54.4 x 41.8 cm)

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Thomas Joshua Cooper

The Burning Boulder, high noon - high summer, blinding light and heat. The Snake River Basin, Pillar falls, Twin Falls County Line, Idaho, U.S.A. , 2003/2022

chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/2

image size: 76.2 x 101.6 cm
mounted on 101.6 x 137.2 cm

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Graham Williams

Blue Tall (326) No. 3/6, 2004

powder coated stainless steel on a stainless steel base

100.5 cm height

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Edwina Leapman

Burnt Orange on Blue Umber, 2004

acrylic on canvas

183 x 167 cm

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