Annely Juda Fine Art is delighted to present key works by gallery artists at Art Basel Hong Kong. At a new stand location on floor 1 (1B36), works by David Hockney, Leon Kossoff and Anthony Caro will be joined by works of new gallery artists Sammi Lynch and Nicola Turner. We will also present a “Kabinett” of early works by Christo. This presentation bridges generations, geographies and medium, reflecting both the gallery’s historical foundations and its evolving future.
Front and centre on our booth will be David Hockney’s recent painting, Red Roses on Show, August 2025. This artist-described “very, very, very new” painting was recently exhibited at our gallery and marks the most developed stage yet in Hockney’s dedication to ‘reverse perspective’ in paint. In this composition, Hockney offers a new play on the traditional still life painting. The colourful interior scene of red roses on a table disrupts planar perspective and engineers multiple vanishing points in a single picture, bringing us closer to the lived experience of perception.
The booth also introduces two artists who joined Annely Juda Fine Art: Nicola Turner and Sammi Lynch. Both will have their first solo exhibitions at our new Hanover Square space in 2026 and 2027 respectively. Turner creates sculptures and site-responsive installations that explore fundamental dichotomies: life and death, human and non-human, attraction and repulsion. Using “dead” materials such as horsehair and wool alongside found objects, her works touch upon the history and ‘memory’ of materials. In March 2026 Turner will present a solo show at the Chapel of Yorkshire Sculpture Park, UK.
Lynch’s paintings also explore memory, but through a quieter, observational lens. Her practice is grounded in an intuitive relationship with the natural world. Working directly in the landscape with pastel on paper, she captures impressions of place with immediacy and clarity. These drawings form the foundation of her studio work, where they are translated into richly textured oil paintings and prints. Lynch's debut solo show with the gallery will be staged in Spring 2027.
Alongside these new voices, we will present works from long-standing gallery artists. Tadashi Kawamata, who is Japanese and lives in Paris, first exhibited with Annely Juda Fine Art in 1990 and has played a long-standing role in the gallery’s programme. Recently showing a site-specific work at Palais de Tokyo, Paris, we present one of Kawamata’s signature tree hut “maquettes”.
For our Kabinett sector, we present a curated selection of works by renowned Bulgarian-born artist Christo. David Juda, Director of Annely Juda Fine Art, first met Christo in 1968 and worked on several projects with him. This longstanding collaboration led to Annely Juda Fine Art partnering with Christo on 12 exhibitions over nearly five decades. This Kabinett, which will commemorate both Christo’s legacy and our long-standing collaboration, will focus on his early works, including packed objects from the late 1950s and 1960s such as Wrapped Cans and Packed Supermarket Cart.
Leon Kossoff, who was one of the most important British painters of the post-war period, has been represented by the gallery for over 25 years. Known for his dense, gestural impasto and deep engagement with the urban landscape, alongside his friend and contemporary Frank Auerbach, Kossoff was a key figure in the group of artists who became known as the ‘School of London’ in the mid 1950s.
Finally, two works by Katsuhiro Yamaguchi showcase a cloth sculpture and hanging mesh sculpture by one of the founders of the important twentieth-century Japanese group, the Experimental Workshop (“Jikken Kōbō”). Founded in Tokyo in 1951, Jikken Kōbō was an interdisciplinary group of artists, musicians, choreographers and poets that went on to be highly influential for Japanese art of today. Here, we show two important works from the 1960s which are emblematic of this pioneering artist.
For press and media inquiries, please contact Jessica Munick t jessica@annelyjudafineart.co.uk