Artworks

Thomas Joshua Cooper

The Greenwich Meridian - 0° longitude - bright late morning - looking offshore towards the 0° Meridian,The North Sea - low tide - Flamborough Head, The East Riding of Yorkshire, England , 2016/2022

chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4

50.8 x 61 cm

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Thomas Joshua Cooper

The Greenwich Meridian - 0° longitude - evening sun strike, the River Thames - high tide - behind and along from the O2 Arena, The Royal Borough of Greenwich, London, England, 2016/2022

chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4

50.8 x 61 cm

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Thomas Joshua Cooper

The Greenwich Meridian - 0° longitude - late afternoon, wind blown spring blossoms - The Perfect Circle The Royal Observatory, Greenwich Park, Royal Borough of Greenwich, London, England, 2016/2022

chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4

50.8 x 61 cm

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Thomas Joshua Cooper

The Greenwich Meridian - 0° longitude - mid afternoon, looking offshore - towards France, thin sea mist, the English Channel - high tide Peacehaven, East Sussex, England, 2016/2022

chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4

50.8 x 61 cm

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Edda Renouf

Edges, August Sounds, 2017

acrylic on linen; removed and reapplied threads

150 x 150 cm 59.1 x 59.1 in

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Sigrid Holmwood

Peasants practising fighting with scythes, 2017

Mayan blue made from woad, weld, ink and gesso on calico mordant-printed with madder and cochineal, on board

110 x 230 cm 43.3 x 90.6 in

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Sigrid Holmwood

Peasants practising fighting with sickles, 2017

madder, cochineal, ink and gesso on calico mordant-printed with logwood and dyer’s broom, on board

110 x 240 cm 43.3 x 94.5 in

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Sarah Oppenheimer

S-011110, 2017

glass, aluminium, existing architecture

dimensions variable

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Werner Haypeter

Untitled, 2017

pencil, watercolour and acrylic on folded, torn and cut paper, Dorée board

45 x 37 cm 17.7 x 14.6 in

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David Nash

Ladle and Spoon, 2018

Bronze ed.3/4

296 x 166 x 100 cm 116.5 x 65.4 x 39.4 in

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Alan Charlton

Painted and Unpainted, 2018

acrylic on canvas, 2 part

220.5 x 252 cm overall
108 x 252 cm each

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Christo

The London Mastaba, 2018

In collaboration with Jeanne-Claude

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Suzanne Treister

The Escapist BHST/Interplanetary Spacetime Algorithm, 2018-19

Archival giclée print on Hahnemuhle paper, ed. 2/15

29.7 x 21 cm 11.7 x 8.3 in

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Lesley Foxcroft

Contain, 2019

M.D.F and smooth galvanized steel

150 x 38 x 10 cm 59.1 x 15 x 3.9 in

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Tadashi Kawamata

Destruction No. 22, 2019

balsa wood and acrylic paint on plywood, 6 parts

250 x 918 x 45 cm overall 98.4 x 361.4 x 17.7 in overall

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Tadashi Kawamata

Destruction No. 24, 2019

balsa wood and acrylic paint on plywood, 2 parts

250 x 306 x 30 cm overall 98.4 x 120.5 x 11.8 in overall

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Tadashi Kawamata

Destruction No. 27, 2019

balsa wood and acrylic paint on plywood

153 x 210 x 8 cm 60.2 x 82.7 x 3.1 in

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Lesley Foxcroft

Elevation, 2019

M.D.F and galvanized steel

225 x 60 x 18 cm overall 3 parts M.D.F, each part 180 x 20 x 18 cm 88.6 x 23.6 x 7.1 in overall

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Lesley Foxcroft

Freedom, 2019

M.D.F and galvanized steel

20 x 180 x 10 cm 7.9 x 70.9 x 3.9 in

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Lesley Foxcroft

Galvanized Corner, 2019

M.D.F and galvanized steel

83 x 350 x 25 cm overall 4 parts, each part 20 x 180 x 25 cm 32.7 x 137.8 x 9.8 in overall

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Lesley Foxcroft

Gem, 2019

M.D.F and smooth galvanized steel

150 x 23 x 10 cm 59.1 x 9.1 x 3.9 in

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Lesley Foxcroft

Overlay, 2019

M.D.F and smooth galvanized steel

15 x 148 x 15 cm 5.9 x 58.3 x 5.9 in

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Lesley Foxcroft

Small work, 2019

M.D.F and galvanized steel

60 x 20 x 8.5 cm overall 2 parts, each 60 x 10 cm 23.6 x 7.9 x 3.3 in overall

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Lesley Foxcroft

Small work, 2019

M.D.F

10 x 60 x 10 cm overall 2 parts, each 60 x 5 cm 3.9 x 23.6 x 3.9 in overall

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Lesley Foxcroft

Stability, 2019

M.D.F and galvanized steel

180 x 20 x 10 cm overall 70.9 x 7.9 x 3.9 in overall

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Stefan Gec

Untitled (Dumka), 2019

Scorched paper with a copy of the final edition of the newspaper Ukrainian Thought. Edition 11/25

21 x 30 cm 8.3 x 11.8 in

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Lesley Foxcroft

Zenith, 2019

M.D.F and smooth galvanized steel

240 x 90 x 11.5 cm overall 8 parts, each part 30 x 90 x 11.5 cm 94.5 x 35.4 x 4.5 in overall

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Werner Haypeter

Untitled, 2019/20

PE, PVC, pencil, chipboard graphite

size variable

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David Hockney

8th April 2020, No. 2, 2020

iPad painting printed on paper, mounted on Dibond

68.9 x 99.5 cm
© David Hockney

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Nigel Hall

Drawing No. 1853, 2020

acrylic and charcoal on paper

56.5 x 76.5 cm 22.2 x 30.1 in

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Yves Zurstrassen

Enigma, 2020

oil on canvas

130 x 130 cm
51.2 x 51.2 in

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Sarah Oppenheimer

N-01, 2020

Aluminium, steel, glass and architecture

dimensions variable

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David Hockney

13th February 2021, Flowers in a Glass Vase, 2021

iPad painting printed on paper, ed. 31/50

89 x 63.5 cm 35 x 25 in

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David Hockney

15th March 2021, Flowers in a Jug, 2021

iPad painting printed on paper, ed. 31/50

89 x 63.5 cm 35 x 25 in

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David Hockney

21st March 2021, Purple and Yellow Flowers in a Vase, 2021

iPad painting printed on paper, ed. 31/50

89 x 63.5 cm 35 x 25 in

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David Hockney

30th May 2021, From the Studio, 2021

Three iPad paintings comprising a single work, printed on paper, mounted on Dibond, ed. 21/25

65.5 x 282 cm 25.8 x 111 in

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David Nash

Cut Corners Column, 2021

Oak

237 x 77 x 75 cm 93.3 x 30.3 x 29.5 in

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Philipp Goldbach

Dance Floor, 2021

walk-on dance floor of 7680 art history slides, 16 modules, each 107.0 x 110.8 cm, consisting of 20 Journal-24 cassettes, 428.0 x 443.2 cm total area, LEDs, subcontrollers, WLAN master controller, audio system of 4 stereo boxes, subwoofer, amplifier

428 x 443.2 cm 168.5 x 174.5 in

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Raku Kichizaemon XV Jikinyū

I (be pleased, enjoy), 2021

Yakinuki-type ‘Rock’ White Raku tea bowl

10.8 x 12.7 x 10 cm
4 ¼ x 5 x 4 in

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Yves Zurstrassen

Recollage, 2021

oil on paper glued on canvas marouflaged on wood

27 x 31 cm
10.6 x 12.2 in

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Tadashi Kawamata

Tree Hut in Tremblay no. 111, 2021

balsa wood and acrylic paint on plywood

153 x 210 x 12 cm 60.2 x 82.7 x 4.7 in

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David Nash

Walnut Frame, 2021

Walnut

54 x 18.5 x 14 cm 21.3 x 7.3 x 5.5 in

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Raku Kichizaemon XV Jikinyū

Zen (gradual progress), 2021

Yakinuki-type ‘Rock’ White Raku tea bowl

11.6 x 12.7 x 12.2 cm
4 ½ x 5 x 4 ¾ in

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Sarah Oppenheimer

C-010106, 2022

Glass and architecture.
University of Texas at Austin, USA.

Total dimensions variable.

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Elizabeth Magill

Central (2), 2022

mixed media on canvas

183 x 153 cm 72 x 60.2 in

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David Nash

Cube, Sphere, Pyramid, 2022

bronze, ed. 2/4

pyramid: 165 x 80 x 70 cm sphere: 50 x 50 x 50 cm cube: 67 x 45 x 38 cm pyramid 65 x 31.5 x 27.6 in

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Elizabeth Magill

Duggans Bay, 2022

mixed media on canvas

150 x 174 cm 59.1 x 68.5 in

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Yves Zurstrassen

Indigo, 2022

oil on canvas

110 x 110 cm
43.3 x 43.3 in

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Yves Zurstrassen

Indigo, 2022

oil on canvas

110 x 110 cm
43.3 x 43.3 in

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Yves Zurstrassen

Indigo, 2022

oil on canvas

140 x 140 cm
55.1 x 55.1 in

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Yves Zurstrassen

Indigo, 2022

oil on canvas

160 x 160 cm
63 x 63 in

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Yves Zurstrassen

Indigo, 2022

oil on canvas marouflaged on wood

50 x 60 cm
19.7 x 23.6 in

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Yves Zurstrassen

Indigo, 2022

oil on canvas marouflaged on wood

50 x 60 cm
19.7 x 23.6 in

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Suzanne Treister

Kabbalistic Futurism/Architectures/Museums/Museum of Dark Matter, 2022

oil on linen

33 x 46 cm 13 x 18.1 in

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David Nash

King and Queen III, 2022

bronze, ed 3/4 +2 A/Ps

i) 330 x 82 x 58 cm ii) 330 x 82 x 40 cm i 129.9 x 32.3 x 22.8 in

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Philipp Goldbach

Lucio Fontana, Concetto spaziale, La fine di Dio (63-FD.17), 1963, Centre Pompidou, Paris (Inv.-No. AM 1997-94), 2022

B&W photogram on baryta paper, 5 unique exposures

184 x 127 cm 72.4 x 50 in

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Philipp Goldbach

On Photography (Susan Sontag), 2022

Micrograph, pencil on paper

100 x 80 cm 39.4 x 31.5 in

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Suzanne Treister

SURVIVOR (F)/Emerald Museum of Interplanetary Botany, 2022

oil on linen

41 x 27 cm 16.1 x 10.6 in

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Raku Kichizaemon XV Jikinyū

Tan (sever, cut out), 2022

Yakinuki-type ‘Rock’ White Raku tea bowl

11.8 x 11.6 x 11.2 cm
4 ½ x 4 ½ x 4 ½ in

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Elizabeth Magill

Always failing to remember why, 2023

mixed medium on canvas

175 x 150 cm 68.9 x 59.1 in

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Elizabeth Magill

And I reply, 2023

mixed medium on canvas

150 x 175 cm 59.1 x 68.9 in

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Elizabeth Magill

As if from a distance, 2023

mixed medium on canvas

150 x 175.5 cm 59.1 x 69.1 in

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Yves Zurstrassen

Blooming, 2023

oil on canvas

230 x 195 cm
90.6 x 76.8 in

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Yves Zurstrassen

Enigma, 2023

oil on canvas marouflaged on wood

60 x 60 cm
23.6 x 23.6 in

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Yves Zurstrassen

Enigma, 2023

oil on canvas marouflaged on wood

70 x 70 cm
27.6 x 27.6 in

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Yves Zurstrassen

Enigma, 2023

oil on canvas marouflaged on wood

70 x 70 cm
27.6 x 27.6 in

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Yves Zurstrassen

Enigma, 2023

oil on canvas marouflaged on wood

70 x 70 cm
27.6 x 27.6 in

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Yuko Shiraishi

Evoke, 2023

oil on canvas

168 x 137 cm 66.1 x 53.9 in

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Yves Zurstrassen

Fatras, 2023

oil on canvas

140 x 140 cm
55.1 x 55.1 in

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Yves Zurstrassen

Free Time, 2023

oil on canvas

230 x 200 cm
90.6 x 78.7 in

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Yves Zurstrassen

Free Time, 2023

oil on canvas

230 x 200 cm
90.6 x 78.7 in

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David Nash

Hawthorn, 2023

charcoal on paper

92 x 77 cm 36.2 x 30.3 in

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Elizabeth Magill

Here we are, 2023

mixed medium on canvas

175 x 150 cm 68.9 x 59.1 in

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Elizabeth Magill

I wonder why we came, 2023

oil on canvas

30 x 40 cm 11.8 x 15.7 in

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Suzanne Treister

Kabbalistic Futurism/Architectures/Museums/Museum of Ethics and Interplanetary Technologies, 2023

oil on canvas

213 x 152 cm 83.9 x 59.8 in

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Suzanne Treister

Kabbalistic Futurism/Space Stations/Space Station for Transforming Light, 2023

oil on canvas

213 x 152 cm 83.9 x 59.8 in

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Philipp Goldbach

Lucio Fontana, Concetto spaziale (54 P 11), 1954, Pinakothek der Moderne, Munich (Inv.-No. 14977), 2023

B&W photogram on baryta paper, 5 unique exposures

98 x 80 cm 38.6 x 31.5 in

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Philipp Goldbach

Lucio Fontana, Concetto spaziale, Attese, 1958-1965, Museum Folkwang, Essen (Inv.-Nr. G 354), 2023

B&W photogram on baryta paper, 5 unique exposures

104 x 82 cm 40.9 x 32.3 in

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David Nash

Octagon Annulus I, 2023

Redwood

139 x 137 x 61 cm 54.7 x 53.9 x 24 in

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Yuko Shiraishi

Reclining Day (3), 2023

oil on canvas

80 x 70 cm 31.5 x 27.6 in

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