Artworks

  • Lun Tuchnowski, Constructive Lips, 2011
    Lun Tuchnowski
    Constructive Lips, 2011
    stainless steel
    44 x 65 x 65 cm
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  • Philipp Goldbach, Phototype (Diatype) 1-9, 2011
    Philipp Goldbach
    Phototype (Diatype) 1-9, 2011
    photogram on lithographic film, 9 parts
    24 x 24 cm each 9.4 x 9.4 in each
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  • Alan Charlton, Pyramid, 2011
    Alan Charlton
    Pyramid, 2011
    acrylic on canvas, 16 parts
    229.5 x 531 cm
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  • Lesley Foxcroft, Small work, 2011
    Lesley Foxcroft
    Small work, 2011
    M.D.F
    76 x 7 x 17 cm 29.9 x 2.8 x 6.7 in
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  • Roger Ackling, Voewood, 2011
    Roger Ackling
    Voewood, 2011
    sunlight on wood with nail
    26 x 19 x 6.5 cm 10.2 x 7.5 x 2.6 in
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  • Edda Renouf, Water Sounds II, 2011
    Edda Renouf
    Water Sounds II, 2011
    incised lines and pastel chalk on Arches paper
    142 x 40 cm
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  • Tadashi Kawamata, Chairs for Abu Dhabi, 2012
    Tadashi Kawamata
    Chairs for Abu Dhabi, 2012
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  • Sheila Girling, Double Space, 2012
    Sheila Girling
    Double Space, 2012
    acrylic and collage on canvas
    110 x 115.5 cm 43.3 x 45.5 in
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  • Yuko Shiraishi, Introduction, 2012
    Yuko Shiraishi
    Introduction, 2012
    oil on canvas
    137 x 122 cm 53.9 x 48 in
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  • Stefan Gec, Kurchatov’s dream. No. 1, 2012
    Stefan Gec
    Kurchatov’s dream. No. 1, 2012
    stamps, gasket paper, cotton thread
    42 x 35 cm 16.5 x 13.8 in
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  • Philipp Goldbach, Martin-Luther-University, Halle-Wittenberg, Institute of Anatomy and Cell Biology, 2012
    Philipp Goldbach
    Martin-Luther-University, Halle-Wittenberg, Institute of Anatomy and Cell Biology, 2012
    C-Print mounted between Diasec and aluminium, edition 1 of 3
    310 x 160 cm, 2 parts 122 x 63 in .8 parts
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  • Stefan Gec, Pripyat street plan with template No. 4, 2012
    Stefan Gec
    Pripyat street plan with template No. 4, 2012
    card on card
    48 x 42 cm 18.9 x 16.5 in
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  • Stefan Gec, Radiogram - part 2, 2012
    Stefan Gec
    Radiogram - part 2, 2012
    Stamps, gasket paper, paper
    42 x 35 cm 16.5 x 13.8 in
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  • Stefan Gec, Radiogram - part 3, 2012
    Stefan Gec
    Radiogram - part 3, 2012
    Stamps, gasket paper, paper
    42 x 35 cm 16.5 x 13.8 in
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  • François Morellet, Rococoncret n°6, 2012
    François Morellet
    Rococoncret n°6, 2012
    oil on acrylic on canvas on wood
    213 x 271.5 cm (4 panels 100 x 100 cm)
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  • Alan Charlton, Two Diagonals, 2012
    Alan Charlton
    Two Diagonals, 2012
    acrylic on canvas, 4 parts
    171 x 355.5 cm
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  • Werner Haypeter, Untitled, 2012
    Werner Haypeter
    Untitled, 2012
    resin, acrylic, plexiglass
    100 x 80 x 5.6 cm 39.4 x 31.5 x 2.2 in
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  • Werner Haypeter, Untitled, 2012
    Werner Haypeter
    Untitled, 2012
    resin, acrylic and plexi
    100 x 80 x 5.6 cm 39.4 x 31.5 x 2.2 in
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  • Roger Ackling, Voewood, 2012
    Roger Ackling
    Voewood, 2012
    sunlight on wood
    two parts, each: 48.6 x 11.7 x 0.8 cm (12 mm gap between each part) two parts each 19.1 x 4.6 x
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  • François Morellet, Désarcticulation n°1, 2012, realised in 2017
    François Morellet
    Désarcticulation n°1, 2012, realised in 2017
    oil on acrylic on canvas on wood
    138 x 162 x 37 cm (2 panels 80 x 80 cm)
    edition 2 of 3
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  • Edwina Leapman, A paler violet blue, 2013
    Edwina Leapman
    A paler violet blue, 2013
    acrylic on canvas
    122 x 137 cm
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  • Anthony Caro, End of Time, 2013
    Anthony Caro
    End of Time, 2013
    steel and red perspex
    210.8 x 393.7 x 142.2 cm 83 x 155 x 56 in
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  • Edda Renouf, Entrance with incised Lines; Autumn Series I, 2013
    Edda Renouf
    Entrance with incised Lines; Autumn Series I, 2013
    incised lines, graphite and ink on Arches paper
    38 x 38 cm
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  • Yuko Shiraishi, Netherworld, 2013
    Yuko Shiraishi
    Netherworld, 2013
    stainless steel tubing and LED lights
    265 x 435 x 380 cm 104.3 x 171.3 x 149.6 in
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  • Sheila Girling, Sonnet, 2013
    Sheila Girling
    Sonnet, 2013
    handmade paper and acrylic
    74.5 x 55 cm 29.3 x 21.7 in
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  • Yuko Shiraishi, Space (2), 2013
    Yuko Shiraishi
    Space (2), 2013
    oil on canvas
    90 x 85 cm 35.4 x 33.5 in
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  • Tadashi Kawamata, Tree Huts at Place Vendôme, 2013
    Tadashi Kawamata
    Tree Huts at Place Vendôme, 2013
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  • Alan Charlton, Triangle Painting, 2013
    Alan Charlton
    Triangle Painting, 2013
    acrylic on canvas
    180 x 72 cm
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  • Alan Charlton, Triangle Painting, 2013
    Alan Charlton
    Triangle Painting, 2013
    acrylic on canvas
    180 x 36 cm
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  • Sigrid Holmwood, Untitled, 2013
    Sigrid Holmwood
    Untitled, 2013
    Oil on board
    30 x 30 x 5 cm 11.8 x 11.8 x 2 in
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  • Tadashi Kawamata, Verseilles, 2013
    Tadashi Kawamata
    Verseilles, 2013
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  • Roger Ackling, Voewood, 2013
    Roger Ackling
    Voewood, 2013
    sunlight on wood
    21 x 16 cm diameter 8.3 x 6.3 in diameter
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  • Roger Ackling, Voewood, 2013
    Roger Ackling
    Voewood, 2013
    sunlight on wood with metal and sellotape
    19.5 x 8 x 4.5 cm 7.7 x 3.1 x 1.8 in
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  • Werner Haypeter, Volumen 2, 2013
    Werner Haypeter
    Volumen 2, 2013
    acrylic filter stripes/light field, acrylic paint and resin
    40.9 x 36 x 3.4 cm 16.1 x 14.2 x 1.3 in
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  • Edwina Leapman, With pink, 2013
    Edwina Leapman
    With pink, 2013
    acrylic on canvas
    122 x 147.5 cm
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  • Edwina Leapman, Deep Green on Crimson, 2014
    Edwina Leapman
    Deep Green on Crimson, 2014
    acrylic on canvas
    122 x 147.5 cm
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  • Katsura Funakoshi, Drawing No. 1403, 2014
    Katsura Funakoshi
    Drawing No. 1403, 2014
    pencil on paper
    106.4 x 82.7 cm 41.9 x 32.6 in
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  • Katsura Funakoshi, Drawing No. 1410, 2014
    Katsura Funakoshi
    Drawing No. 1410, 2014
    pencil on paper
    100.8 x 90 cm 39.7 x 35.4 in
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  • Edwina Leapman, Just blue, 2014
    Edwina Leapman
    Just blue, 2014
    acrylic on canvas
    122 x 152.5 cm
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  • Alan Reynolds, Study Rotation 148, 2014
    Alan Reynolds
    Study Rotation 148, 2014
    pencil on paper laid on card
    44 x 44 cm 17.3 x 17.3 in
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  • Edda Renouf, Threshold, December Sounds, 2014
    Edda Renouf
    Threshold, December Sounds, 2014
    acrylic on linen and removed threads
    150 x 150 cm
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  • Lesley Foxcroft, Untitled, 2014
    Lesley Foxcroft
    Untitled, 2014
    rubber and clips
    100 x 10 x 8.5 cm 39.4 x 3.9 x 3.3 in
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  • Edda Renouf, Aperture, July Sounds, 2014 - 2017
    Edda Renouf
    Aperture, July Sounds, 2014 - 2017
    acrylic on linen; removed and reapplied threads
    150 x 150 cm
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  • Christo, The Floating Piers, Lago D'Iseo, Italy, 2014-16
    Christo
    The Floating Piers, Lago D'Iseo, Italy, 2014-16
    Photo: Wolfgang Volz, © 2016. Estate of Christo V. Javacheff
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  • Stefan Gec, Untitled: Centres of gravity [V-XII] (remainder), 2014-2015
    Stefan Gec
    Untitled: Centres of gravity [V-XII] (remainder), 2014-2015
    shellac on card
    4 parts, 57 x 57 cm each 1.6 parts 22.4 x 22.4 in each
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  • François Morellet, 3 D concertant n° 14 : 77°-90°-81°, 2015
    François Morellet
    3 D concertant n° 14 : 77°-90°-81°, 2015
    Acrylic on canvas on wood
    212 x 212 cm
    (panel 150 x 150 cm)
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  • David Hockney, A Bigger Scrabble Players, 2015
    David Hockney
    A Bigger Scrabble Players, 2015
    photographic drawing printed on paper, mounted on aluminium, ed. 9/12
    177.2 x 177.2 cm 69.8 x 69.8 in
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  • Stefan Gec, A Glass Index III, 2015
    Stefan Gec
    A Glass Index III, 2015
    aluminium, glass valves
    2 parts, 35 cm diameter each .8 parts 13.8 in diameter each
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  • Nigel Hall, Drawing 1689, 2015
    Nigel Hall
    Drawing 1689, 2015
    acrylic and charcoal on paper
    70 x 100 cm 27.6 x 39.4 in
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  • Stefan Gec, Five Portraits of Emile Berliner, 2015
    Stefan Gec
    Five Portraits of Emile Berliner, 2015
    shellac on canvas, 5 parts
    33.4 x 33.4 x 5 cm each 13.1 x 13.1 x 2 in each
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  • Tadashi Kawamata, Installation Plan for Annely Juda, 2015
    Tadashi Kawamata
    Installation Plan for Annely Juda, 2015
    balsa wood and acrylic paint on plywood
    153 x 210 x 13 cm 60.2 x 82.7 x 5.1 in
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  • David Nash, Ironbridge Humps, 2015
    David Nash
    Ironbridge Humps, 2015
    pigment on paper in charred frame
    80 x 117 cm (framed) 31.5 x 46.1 in framed
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  • Yuko Shiraishi, Signal (6), 2015
    Yuko Shiraishi
    Signal (6), 2015
    oil on canvas
    153 x 137 388.6 x 348 cm
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  • Alan Charlton, Traingle, 2015
    Alan Charlton
    Traingle, 2015
    acrylic on canvas
    72 x 72 cm
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  • Alan Charlton, Triangle in 6 Parts, 2015
    Alan Charlton
    Triangle in 6 Parts, 2015
    acrylic on canvas, 6 parts
    238.5 x 238.5 cm
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  • David Nash, Ash Dome, 2016
    David Nash
    Ash Dome, 2016
    pigment on paper

    76 x 57 cm
    framed: 86.5 x 67 cm
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  • Philipp Goldbach, Disseratio de Arte combinatoria (G. W. Leibniz), Read Only Memory, 2016
    Philipp Goldbach
    Disseratio de Arte combinatoria (G. W. Leibniz), Read Only Memory, 2016
    double-sided, copper-coated, epoxy resin glass fabric laminate, electrical components, lead solder
    106.5 x 106.5 cm 41.9 x 41.9 in
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  • Edda Renouf, Light Fields- 3, 2016
    Edda Renouf
    Light Fields- 3, 2016
    incised lines, ink and oil pastel on Arches paper
    38 x 38 cm
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  • Edda Renouf, Light Fields- 8, 2016
    Edda Renouf
    Light Fields- 8, 2016
    incised lines, ink and oil pastel on Arches paper
    38 x 38 cm
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  • Sigrid Holmwood, Off to work we go, 2016
    Sigrid Holmwood
    Off to work we go, 2016
    ink and gesso, on calico mordant printed and dyed with cochineal, madder, dyer’s broom, and buckthorn berries, on board
    110.5 x 178 cm 43.5 x 70.1 in
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  • Edwina Leapman, Untitled, 2016
    Edwina Leapman
    Untitled, 2016
    acrylic on canvas
    109 x 122 cm
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  • Thomas Joshua Cooper, torrential Summer evening downpour - the North Sea Ness Point, Norfolk, England East most point of mainland England and East most point of mainland Britain, 2016/2021
    Thomas Joshua Cooper
    torrential Summer evening downpour - the North Sea Ness Point, Norfolk, England East most point of mainland England and East most point of mainland Britain, 2016/2021
    chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/2
    76.2 x 101.6 cm
    109.5 x 139.6 cm framed
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  • Thomas Joshua Cooper, The Greenwich Meridian - 0° longitude - bright late morning - looking offshore towards the 0° Meridian,The North Sea - low tide - Flamborough Head, The East Riding of Yorkshire, England , 2016/2022
    Thomas Joshua Cooper
    The Greenwich Meridian - 0° longitude - bright late morning - looking offshore towards the 0° Meridian,The North Sea - low tide - Flamborough Head, The East Riding of Yorkshire, England , 2016/2022
    chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4
    50.8 x 61 cm
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  • Thomas Joshua Cooper, The Greenwich Meridian - 0° longitude - evening sun strike, the River Thames - high tide - behind and along from the O2 Arena, The Royal Borough of Greenwich, London, England, 2016/2022
    Thomas Joshua Cooper
    The Greenwich Meridian - 0° longitude - evening sun strike, the River Thames - high tide - behind and along from the O2 Arena, The Royal Borough of Greenwich, London, England, 2016/2022
    chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4
    50.8 x 61 cm
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  • Thomas Joshua Cooper, The Greenwich Meridian - 0° longitude - late afternoon, wind blown spring blossoms - The Perfect Circle The Royal Observatory, Greenwich Park, Royal Borough of Greenwich, London, England, 2016/2022
    Thomas Joshua Cooper
    The Greenwich Meridian - 0° longitude - late afternoon, wind blown spring blossoms - The Perfect Circle The Royal Observatory, Greenwich Park, Royal Borough of Greenwich, London, England, 2016/2022
    chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4
    50.8 x 61 cm
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  • Thomas Joshua Cooper, The Greenwich Meridian - 0° longitude - mid afternoon, looking offshore - towards France, thin sea mist, the English Channel - high tide Peacehaven, East Sussex, England, 2016/2022
    Thomas Joshua Cooper
    The Greenwich Meridian - 0° longitude - mid afternoon, looking offshore - towards France, thin sea mist, the English Channel - high tide Peacehaven, East Sussex, England, 2016/2022
    chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4
    50.8 x 61 cm
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  • Edda Renouf, Edges, August Sounds , 2017
    Edda Renouf
    Edges, August Sounds , 2017
    acrylic on linen and removed threads
    150 x 150 cm
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  • Sigrid Holmwood, Peasants practising fighting with scythes, 2017
    Sigrid Holmwood
    Peasants practising fighting with scythes, 2017
    Mayan blue made from woad, weld, ink and gesso on calico mordant-printed with madder and cochineal, on board
    110 x 230 cm 43.3 x 90.6 in
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  • Sigrid Holmwood, Peasants practising fighting with sickles, 2017
    Sigrid Holmwood
    Peasants practising fighting with sickles, 2017
    madder, cochineal, ink and gesso on calico mordant-printed with logwood and dyer’s broom, on board
    110 x 240 cm 43.3 x 94.5 in
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  • Sarah Oppenheimer, S-011110, 2017
    Sarah Oppenheimer
    S-011110, 2017
    glass, aluminium, existing architecture.
    Installation view, Annely Juda Fine Art, 2017
    dimensions variable
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  • Werner Haypeter, Untitled, 2017
    Werner Haypeter
    Untitled, 2017
    pencil, watercolour and acrylic on folded, torn and cut paper, Dorée board
    45 x 37 cm 17.7 x 14.6 in
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  • Alan Charlton, Painted and Unpainted, 2018
    Alan Charlton
    Painted and Unpainted, 2018
    acrylic on canvas, 2 part
    220.5 x 252 cm overall
    108 x 252 cm each
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  • Christo, The London Mastaba, 2018
    Christo
    The London Mastaba, 2018
    Photo Wolfgang Volz © 2018. Estate of Christo V. Javacheff
    In collaboration with Jeanne-Claude
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  • Suzanne Treister, The Escapist BHST/Interplanetary Spacetime Algorithm, 2018-19
    Suzanne Treister
    The Escapist BHST/Interplanetary Spacetime Algorithm, 2018-19
    Archival giclée print on Hahnemuhle paper, ed. 2/15
    29.7 x 21 cm 11.7 x 8.3 in
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  • Lesley Foxcroft, Contain, 2019
    Lesley Foxcroft
    Contain, 2019
    M.D.F and smooth galvanized steel
    150 x 38 x 10 cm 59.1 x 15 x 3.9 in
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  • Tadashi Kawamata, Destruction No. 22, 2019
    Tadashi Kawamata
    Destruction No. 22, 2019
    balsa wood and acrylic paint on plywood, 6 parts
    250 x 918 x 45 cm overall 98.4 x 361.4 x 17.7 in overall
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  • Tadashi Kawamata, Destruction No. 24, 2019
    Tadashi Kawamata
    Destruction No. 24, 2019
    balsa wood and acrylic paint on plywood, 2 parts
    250 x 306 x 30 cm
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  • Tadashi Kawamata, Destruction No. 27, 2019
    Tadashi Kawamata
    Destruction No. 27, 2019
    balsa wood and acrylic paint on plywood
    153 x 210 x 8 cm
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  • Lesley Foxcroft, Elevation, 2019
    Lesley Foxcroft
    Elevation, 2019
    M.D.F and galvanized steel
    225 x 60 x 18 cm overall 3 parts M.D.F, each part 180 x 20 x 18 cm 88.6 x 23.6 x 7.1 in overall
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  • Lesley Foxcroft, Freedom, 2019
    Lesley Foxcroft
    Freedom, 2019
    M.D.F and galvanized steel
    20 x 180 x 10 cm 7.9 x 70.9 x 3.9 in
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