Artworks

  • Peter Kalkhof, Colour and Space, Division as Unity, 2011
    Peter Kalkhof
    Colour and Space, Division as Unity, 2011
    acrylic on canvas
    163 x 158 cm 64.2 x 62.2 in
  • Lun Tuchnowski, Constructive Lips, 2011
    Lun Tuchnowski
    Constructive Lips, 2011
    stainless steel
    44 x 65 x 65 cm 17.3 x 25.6 x 25.6 in
  • Philipp Goldbach, Phototype (Diatype) 1-9, 2011
    Philipp Goldbach
    Phototype (Diatype) 1-9, 2011
    photogram on lithographic film, 9 parts
    24 x 24 cm each 9.4 x 9.4 in each
  • Philipp Goldbach, Phototype (Diatype) 5, 2011
    Philipp Goldbach
    Phototype (Diatype) 5, 2011
    photogram on lithographic film
    24 x 24 cm 9.4 x 9.4 in
  • Alan Charlton, Pyramid, 2011
    Alan Charlton
    Pyramid, 2011
    acrylic on canvas, 16 parts
    229.5 x 531 cm
  • Sarah Oppenheimer, S - 1013_1, 2011
    Sarah Oppenheimer
    S - 1013_1, 2011
    anodized aluminium and coated glass, edition 1 of 3
    Aluminium: 59 x 48.5 x 0.6 cm Glass: 43 x 35 x 0.3 cm Aluminium 23.2 x 19.1 x .2 in
  • Sarah Oppenheimer, S - 1013_2, 2011
    Sarah Oppenheimer
    S - 1013_2, 2011
    anodized aluminium and glass, ed. 1/3
    Aluminium: 59 x 48.5 x 0.6 cm Glass: 43 x 35 x 0.3 cm Aluminium 23.2 x 19.1 x .2 in
  • Lesley Foxcroft, Small work, 2011
    Lesley Foxcroft
    Small work, 2011
    M.D.F
    76 x 7 x 17 cm 29.9 x 2.8 x 6.7 in
  • Roger Ackling, Voewood, 2011
    Roger Ackling
    Voewood, 2011
    sunlight on wood with nail
    26 x 19 x 6.5 cm 10.2 x 7.5 x 2.6 in
  • Edda Renouf, Water Sounds II, 2011
    Edda Renouf
    Water Sounds II, 2011
    incised lines and pastel chalk on Arches paper
    142 x 40 cm 55.9 x 15.7 in
  • Tadashi Kawamata, Chairs for Abu Dhabi, 2012
    Tadashi Kawamata
    Chairs for Abu Dhabi, 2012
  • Sheila Girling, Double Space, 2012
    Sheila Girling
    Double Space, 2012
    acrylic and collage on canvas
    110 x 115.5 cm 43.3 x 45.5 in
  • Yuko Shiraishi, Introduction, 2012
    Yuko Shiraishi
    Introduction, 2012
    oil on canvas
    137 x 122 cm 53.9 x 48 in
  • Stefan Gec, Kurchatov’s dream. No. 1, 2012
    Stefan Gec
    Kurchatov’s dream. No. 1, 2012
    stamps, gasket paper, cotton thread
    42 x 35 cm 16.5 x 13.8 in
  • Philipp Goldbach, Martin-Luther-University, Halle-Wittenberg, Institute of Anatomy and Cell Biology, 2012
    Philipp Goldbach
    Martin-Luther-University, Halle-Wittenberg, Institute of Anatomy and Cell Biology, 2012
    C-Print mounted between Diasec and aluminium, edition 1 of 3
    310 x 160 cm, 2 parts 122 x 63 in .8 parts
  • Stefan Gec, Pripyat street plan with template No. 4, 2012
    Stefan Gec
    Pripyat street plan with template No. 4, 2012
    card on card
    48 x 42 cm 18.9 x 16.5 in
  • Stefan Gec, Radiogram - part 2, 2012
    Stefan Gec
    Radiogram - part 2, 2012
    Stamps, gasket paper, paper
    42 x 35 cm 16.5 x 13.8 in
  • Stefan Gec, Radiogram - part 3, 2012
    Stefan Gec
    Radiogram - part 3, 2012
    Stamps, gasket paper, paper
    42 x 35 cm 16.5 x 13.8 in
  • Alan Charlton, Two Diagonals, 2012
    Alan Charlton
    Two Diagonals, 2012
    acrylic on canvas, 4 parts
    171 x 355.5 cm
  • Edwina Leapman, Untitled, 2012
    Edwina Leapman
    Untitled, 2012
    acrylic on canvas
    167 x 167 cm 65.7 x 65.7 in
  • Werner Haypeter, Untitled, 2012
    Werner Haypeter
    Untitled, 2012
    resin, acrylic, plexiglass
    100 x 80 x 5.6 cm 39.4 x 31.5 x 2.2 in
  • Werner Haypeter, Untitled, 2012
    Werner Haypeter
    Untitled, 2012
    resin, acrylic and plexi
    100 x 80 x 5.6 cm 39.4 x 31.5 x 2.2 in
  • Roger Ackling, Voewood, 2012
    Roger Ackling
    Voewood, 2012
    sunlight on wood
    two parts, each: 48.6 x 11.7 x 0.8 cm (12 mm gap between each part) two parts each 19.1 x 4.6 x
  • Edwina Leapman, A paler violet blue, 2013
    Edwina Leapman
    A paler violet blue, 2013
    acrylic on canvas
    122 x 137 cm 48 x 53.9 in
  • Anthony Caro, End of Time, 2013
    Anthony Caro
    End of Time, 2013
    steel and red perspex
    210.8 x 393.7 x 142.2 cm 83 x 155 x 56 in
  • Edda Renouf, Entrance with incised Lines; Autumn Series I, 2013
    Edda Renouf
    Entrance with incised Lines; Autumn Series I, 2013
    incised lines, graphite and ink on Arches paper
    38 x 38 cm 15 x 15 in
  • Yuko Shiraishi, Netherworld, 2013
    Yuko Shiraishi
    Netherworld, 2013
    stainless steel tubing and LED lights
    265 x 435 x 380 cm 104.3 x 171.3 x 149.6 in
  • Sheila Girling, Sonnet, 2013
    Sheila Girling
    Sonnet, 2013
    handmade paper and acrylic
    74.5 x 55 cm 29.3 x 21.7 in
  • Nigel Hall, Southern Shade I, 2013
    Nigel Hall
    Southern Shade I, 2013
    Bronze
    300 x 321 x 66cm 118.1 x 126.4 x 26
  • Yuko Shiraishi, Space (2), 2013
    Yuko Shiraishi
    Space (2), 2013
    oil on canvas
    90 x 85 cm 35.4 x 33.5 in
  • Tadashi Kawamata, Tree Huts at Place Vendôme, 2013
    Tadashi Kawamata
    Tree Huts at Place Vendôme, 2013
  • Sigrid Holmwood, Untitled, 2013
    Sigrid Holmwood
    Untitled, 2013
    Oil on board
    30 x 30 x 5 cm 11.8 x 11.8 x 2 in
  • Tadashi Kawamata, Verseilles, 2013
    Tadashi Kawamata
    Verseilles, 2013
  • Roger Ackling, Voewood, 2013
    Roger Ackling
    Voewood, 2013
    sunlight on wood
    21 x 16 cm diameter 8.3 x 6.3 in diameter
  • Roger Ackling, Voewood, 2013
    Roger Ackling
    Voewood, 2013
    sunlight on wood with metal and sellotape
    19.5 x 8 x 4.5 cm 7.7 x 3.1 x 1.8 in
  • Werner Haypeter, Volumen 2, 2013
    Werner Haypeter
    Volumen 2, 2013
    acrylic filter stripes/light field, acrylic paint and resin
    40.9 x 36 x 3.4 cm 16.1 x 14.2 x 1.3 in
  • Edwina Leapman, With pink, 2013
    Edwina Leapman
    With pink, 2013
    acrylic on canvas
    122 x 147.5 cm 48 x 58.1 in
  • Tadashi Kawamata, Dome Plan 7, 2014
    Tadashi Kawamata
    Dome Plan 7, 2014
    balsa wood and acrylic paint on plywood
    100 x 153 x 20 cm 39.4 x 60.2 x 7.9 in
  • Katsura Funakoshi, Drawing No. 1403, 2014
    Katsura Funakoshi
    Drawing No. 1403, 2014
    pencil on paper
    106.4 x 82.7 cm 41.9 x 32.6 in
  • Katsura Funakoshi, Drawing No. 1410, 2014
    Katsura Funakoshi
    Drawing No. 1410, 2014
    pencil on paper
    100.8 x 90 cm 39.7 x 35.4 in
  • Nigel Hall, Here and Now, There and Then (wall mounted), 2014
    Nigel Hall
    Here and Now, There and Then (wall mounted), 2014
    birch plywood, 8 parts
    41.6 x 204 x 13.3 cm (length variable) 16.4 x 80.3 x 5.2 in length
  • Edwina Leapman, Just blue, 2014
    Edwina Leapman
    Just blue, 2014
    acrylic on canvas
    122 x 152.5 cm 48 x 60 in
  • Alan Reynolds, Study Rotation 148, 2014
    Alan Reynolds
    Study Rotation 148, 2014
    pencil on paper laid on card
    44 x 44 cm 17.3 x 17.3 in
  • Edda Renouf, Threshold, December Sounds, 2014
    Edda Renouf
    Threshold, December Sounds, 2014
    acrylic on linen; removed and reapplied threads
    150 x 150 cm 59.1 x 59.1 in
  • Lesley Foxcroft, Untitled, 2014
    Lesley Foxcroft
    Untitled, 2014
    rubber and clips
    100 x 10 x 8.5 cm 39.4 x 3.9 x 3.3 in
  • Edda Renouf, Aperture, July Sounds, 2014 - 2017
    Edda Renouf
    Aperture, July Sounds, 2014 - 2017
    acrylic on linen; removed and reapplied threads
    150 x 150 cm 59.1 x 59.1 in
  • Stefan Gec, Untitled: Centres of gravity [V-XII] (remainder), 2014-2015
    Stefan Gec
    Untitled: Centres of gravity [V-XII] (remainder), 2014-2015
    shellac on card
    4 parts, 57 x 57 cm each 1.6 parts 22.4 x 22.4 in each
  • David Hockney, A Bigger Scrabble Players, 2015
    David Hockney
    A Bigger Scrabble Players, 2015
    photographic drawing printed on paper, mounted on aluminium, ed. 9/12
    177.2 x 177.2 cm 69.8 x 69.8 in
  • Stefan Gec, A Glass Index III, 2015
    Stefan Gec
    A Glass Index III, 2015
    aluminium, glass valves
    2 parts, 35 cm diameter each .8 parts 13.8 in diameter each
  • François Morellet, Carré bandé, 2015
    François Morellet
    Carré bandé, 2015
    acrylic on canvas on wood, ed. 3/5
    133 x 133 cm 52.4 x 52.4 in
  • Nigel Hall, Drawing 1689, 2015
    Nigel Hall
    Drawing 1689, 2015
    acrylic and charcoal on paper
    70 x 100 cm 27.6 x 39.4 in
  • Stefan Gec, Five Portraits of Emile Berliner, 2015
    Stefan Gec
    Five Portraits of Emile Berliner, 2015
    shellac on canvas, 5 parts
    33.4 x 33.4 x 5 cm each 13.1 x 13.1 x 2 in each
  • Yuko Shiraishi, Signal (6), 2015
    Yuko Shiraishi
    Signal (6), 2015
    oil on canvas
    153 x 137 388.6 x 348 cm
  • Alan Charlton, Traingle, 2015
    Alan Charlton
    Traingle, 2015
    acrylic on canvas
    72 x 72 cm
  • Alan Charlton, Triangle in 6 Parts, 2015
    Alan Charlton
    Triangle in 6 Parts, 2015
    acrylic on canvas, 6 parts
    238.5 x 238.5 cm
  • Elizabeth Magill, Another Land, 2015-17
    Elizabeth Magill
    Another Land, 2015-17
    oil and film on canvas
    21 x 30 cm
    22.3 x 31.2 cm framed
  • Elizabeth Magill, Larur, 2015-17
    Elizabeth Magill
    Larur, 2015-17
    oil and film on canvas
    20.5 x 31.5 cm
    21.7 x 32.7 cm framed
  • David Nash, Ash Dome, 2016
    David Nash
    Ash Dome, 2016
    pigment on paper
    76 x 57 cm 29.9 x 22.4 in
  • Philipp Goldbach, Disseratio de Arte combinatoria (G. W. Leibniz), Read Only Memory, 2016
    Philipp Goldbach
    Disseratio de Arte combinatoria (G. W. Leibniz), Read Only Memory, 2016
    double-sided, copper-coated, epoxy resin glass fabric laminate, electrical components, lead solder
    106.5 x 106.5 cm 41.9 x 41.9 in
  • Edda Renouf, Light Fields- 3, 2016
    Edda Renouf
    Light Fields- 3, 2016
    incised lines, ink and oil pastel on Arches paper
    38 x 38 cm 15 x 15 in
  • Edda Renouf, Light Fields- 8, 2016
    Edda Renouf
    Light Fields- 8, 2016
    incised lines, ink and oil pastel on Arches paper
    38 x 38 cm 15 x 15 in
  • Sigrid Holmwood, Off to work we go, 2016
    Sigrid Holmwood
    Off to work we go, 2016
    ink and gesso, on calico mordant printed and dyed with cochineal, madder, dyer’s broom, and buckthorn berries, on board
    110.5 x 178 cm 43.5 x 70.1 in
  • Sarah Oppenheimer, S-010100, 2016
    Sarah Oppenheimer
    S-010100, 2016
    Glass, aluminum, architecture
    122.5 x 100 x 24.5cm 48.2 x 39.4 x 9.6
  • Edwina Leapman, Untitled, 2016
    Edwina Leapman
    Untitled, 2016
    acrylic on canvas
    109 x 122 cm 42.9 x 48 in
  • Thomas Joshua Cooper, torrential Summer evening downpour - the North Sea Ness Point, Norfolk, England East most point of mainland England and East most point of mainland Britain, 2016/2021
    Thomas Joshua Cooper
    torrential Summer evening downpour - the North Sea Ness Point, Norfolk, England East most point of mainland England and East most point of mainland Britain, 2016/2021
    chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/2
    76.2 x 101.6 cm
    109.5 x 139.6 cm framed
  • Thomas Joshua Cooper, The Greenwich Meridian - 0° longitude - bright late morning - looking offshore towards the 0° Meridian,The North Sea - low tide - Flamborough Head, The East Riding of Yorkshire, England , 2016/2022
    Thomas Joshua Cooper
    The Greenwich Meridian - 0° longitude - bright late morning - looking offshore towards the 0° Meridian,The North Sea - low tide - Flamborough Head, The East Riding of Yorkshire, England , 2016/2022
    chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4
    50.8 x 61 cm
  • Thomas Joshua Cooper, The Greenwich Meridian - 0° longitude - evening sun strike, the River Thames - high tide - behind and along from the O2 Arena, The Royal Borough of Greenwich, London, England, 2016/2022
    Thomas Joshua Cooper
    The Greenwich Meridian - 0° longitude - evening sun strike, the River Thames - high tide - behind and along from the O2 Arena, The Royal Borough of Greenwich, London, England, 2016/2022
    chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4
    50.8 x 61 cm
  • Thomas Joshua Cooper, The Greenwich Meridian - 0° longitude - late afternoon, wind blown spring blossoms - The Perfect Circle The Royal Observatory, Greenwich Park, Royal Borough of Greenwich, London, England, 2016/2022
    Thomas Joshua Cooper
    The Greenwich Meridian - 0° longitude - late afternoon, wind blown spring blossoms - The Perfect Circle The Royal Observatory, Greenwich Park, Royal Borough of Greenwich, London, England, 2016/2022
    chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4
    50.8 x 61 cm
  • Thomas Joshua Cooper, The Greenwich Meridian - 0° longitude - mid afternoon, looking offshore - towards France, thin sea mist, the English Channel - high tide Peacehaven, East Sussex, England, 2016/2022
    Thomas Joshua Cooper
    The Greenwich Meridian - 0° longitude - mid afternoon, looking offshore - towards France, thin sea mist, the English Channel - high tide Peacehaven, East Sussex, England, 2016/2022
    chloro-bromide silver gelatine print, hand printed and selenium toned by the artist, ed. 1/4
    50.8 x 61 cm
  • Edda Renouf, Edges, August Sounds, 2017
    Edda Renouf
    Edges, August Sounds, 2017
    acrylic on linen; removed and reapplied threads
    150 x 150 cm 59.1 x 59.1 in
  • Sigrid Holmwood, Peasants practising fighting with scythes, 2017
    Sigrid Holmwood
    Peasants practising fighting with scythes, 2017
    Mayan blue made from woad, weld, ink and gesso on calico mordant-printed with madder and cochineal, on board
    110 x 230 cm 43.3 x 90.6 in
  • Sigrid Holmwood, Peasants practising fighting with sickles, 2017
    Sigrid Holmwood
    Peasants practising fighting with sickles, 2017
    madder, cochineal, ink and gesso on calico mordant-printed with logwood and dyer’s broom, on board
    110 x 240 cm 43.3 x 94.5 in
  • Sarah Oppenheimer, S-011110, 2017
    Sarah Oppenheimer
    S-011110, 2017
    glass, aluminium, existing architecture
    dimensions variable
  • Werner Haypeter, Untitled, 2017
    Werner Haypeter
    Untitled, 2017
    pencil, watercolour and acrylic on folded, torn and cut paper, Dorée board
    45 x 37 cm 17.7 x 14.6 in
  • David Nash, Ladle and Spoon, 2018
    David Nash
    Ladle and Spoon, 2018
    Bronze ed.3/4
    296 x 166 x 100 cm 116.5 x 65.4 x 39.4 in
  • Alan Charlton, Painted and Unpainted, 2018
    Alan Charlton
    Painted and Unpainted, 2018
    acrylic on canvas, 2 part
    220.5 x 252 cm overall
    108 x 252 cm each
  • Suzanne Treister, The Escapist BHST/Interplanetary Spacetime Algorithm, 2018-19
    Suzanne Treister
    The Escapist BHST/Interplanetary Spacetime Algorithm, 2018-19
    Archival giclée print on Hahnemuhle paper, ed. 2/15
    29.7 x 21 cm 11.7 x 8.3 in
  • Tadashi Kawamata, Destruction No. 22, 2019
    Tadashi Kawamata
    Destruction No. 22, 2019
    balsa wood and acrylic paint on plywood, 6 parts
    250 x 918 x 45 cm overall 98.4 x 361.4 x 17.7 in overall
  • Tadashi Kawamata, Destruction No. 24, 2019
    Tadashi Kawamata
    Destruction No. 24, 2019
    balsa wood and acrylic paint on plywood, 2 parts
    250 x 306 x 30 cm overall 98.4 x 120.5 x 11.8 in overall
  • Tadashi Kawamata, Destruction No. 27, 2019
    Tadashi Kawamata
    Destruction No. 27, 2019
    balsa wood and acrylic paint on plywood
    153 x 210 x 8 cm 60.2 x 82.7 x 3.1 in
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